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Carrion Cry

 

 

By: R.T. Smith

 

April summons a vulture flock

to our farm north of Goshen

for no particular reason,

unless it’s a thawed fox

in the weeds by Whistle Creek

or some sin we can’t name.

Like so many lost apostles

they perch in the peach trees

and preach a gospel so bleak

the ground is fouled slick.

The county agent apologizes:

the bastards are sheltered

by federal law.  Politicians,

buzzards-- no difference to me.

There ought to be a bounty.

Hissing worse than bobcats,

they vomit and shit the yard

rancid.  The fice dog flees

their roadkill reek, and Delisa

won’t open the drapes.  “Bad

luck,” she whines and cuddles

her kitten.  Their heads are

featherless to delve into death

and come up refreshed, sleek.

Suddenly, under the moon’s

day labors, one goes heretic

and opens his vast wingspan,

then smokes up to circuit ride

till his brotherhood follows,

their spirals shaping no wild

flower drifting down from Zion

but petals of a rogue-black rose

unfolding its one grim word,

a scripture of shadows

spoiling over the orchard

where I stand and gaze.                                   

 

Strange Fruit, 1939

 

 

June and rumor and Georgia dew.

Hattie McDaniel was bustling Mammy

on the Loews Grand screen in downtown

Atlanta, when Billie Holiday took up

the jazzy anthem of blood on the leaf,

blood at the root,

 

and my granddaddy loved

the gardenia scent of the torch singer’s voice

etched into the Commodore LP disk

with his bourbon and branch,

though he never listened hard to the words.

 

His old Colt with the misfire hammer

was losing nickel plate in the roll-top desk

as he drank to excess –

whiskey the color of a fox –

and kept vigil – I’m divining this –

with the Bible or his Tuscan fiddle

 

eager for the midnight phone to ring

and shake its cradle.  The story is still

a puzzle – a white girl at the Wagon Wheel

heard a hot laugh and an off-key whistle,

a spark on spilled gasoline.

 

In the shadow of the state capitol’s

gold dome, Miss McDaniel’s

face was a dark moon sweating.  Chile,”

she said, “you behave.”  Any chance

of a pastoral died as the edge of a gardenia

corsage wilted and the men’s

club met to cast their unholy votes.

 

Sisal rope coiled like a snake

in a Chevrolet’s boot.  An evil orchard,

strange fruit.  Sepien songstress”

a pundit called Holiday.  The full moon

was a shivered cymbal.  The crowd

at the Roxy was filing out,

still shocked by “Frankly, my dear,

I don’t give a damn.”

 

What dust skirled on the road to Jackson?

What brotherhood dispersed

in the fog of dawn?  The peaches

were bleeding, cigar ash

smoldered and the savage sun

rose over Macon with a scream.

 

Up an octave, skid to a whisper,

a grim tremolo, then insinuation, ghost

lament, pianissimo, a bitter crop.

That’s the way to croon it.

A summer fever.  Your neck hair

will stiffen like hackles,

 

and what can I do but sip my tepid Coke

and try to say No with every word

or silence I dare to remember,

write this family testament

soft as a moth, black ink gliding across –

and I will save myself if I can –

the white bond stationery’s

bone-cold killing field

 

 

Arts & Letters

Campus Box 89

Georgia College & State University

Milledgeville, GA  31061

(478) 445-1289

al@gcsu.edu

 

 

Arts & Letters accepts submissions from September 1 to March 1 (postmark deadlines).  For complete information, see submission guidelines.