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Michael Waters Divine Will |
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for M. in Seven hours: late afternoon
here, lightning stuttering the clocks, the stunned air a bronze bell one tick before tolling—but already past vodka with your former lover who’s grown impatient with abundance: the foil-wrapped chocolates, icy heaps of scallops, thousand
cereals, & Borgesian library of toilet papers, blue & yellow, beyond wobbly pyramids of avocado in the supermarket where we shop. You’ve mentioned me only
once, though smoke-plumes loitering near the stuck ceiling fan assume foreplay in his gaze, so he smudges one last cigarette
onto the tabletop. Seven hours: despite this
sporadic flickering, I’m still reading—the unsurprisingly brief biography of Luisa Piccaretta, Little Daughter of the Divine Will b. who survived on nothing but Communion wafers for sixty-five years. “She lived in her bed, and died each day. Each day, in order for her to
return to life, a priest had to come—usually one of her five confessors— to give her the order to obey him and
return to life.” The lamplight fails, then flares. Hummingbird feeders twist among black branches, then dangle like gaudy fishhooks. Your sullen ex watches as you
slip two dollars under the empty ashtray, then crumple them back, embarrassed by your mistake, before fingering
the still-familiar lei. We tender ourselves to a will less divine, hurly-burly, here & there, floats & solutions. Seven hours: soon you’ll fly
west, erasing the difference, cradling in your skirt six hollow eggs, airy gifts, hand-painted for the Orthodox
Easter. |
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Arts & Letters is supported by |
Arts & Letters Journal of Contemporary Culture Campus Box 89 Georgia College & State University Milledgeville, GA
31061 Phone: (478) 445-1289 E-mail: al@gcsu.edu
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