Poetry Matters Home

 

Notes from Milledgeville

Essays on poetry matters by Martin Lammon

 

Poets Who Matter

Poems, interviews, essays, and more, featuring a poet who matters to me and, I hope, to you

 

Poems that Matter

A poem, past or present, formal or free verse, that matters.

 

Reader Response

Selected correspondence from readers who matter

 

News that Matters

Links to Internet media articles on poetry, other news and events

 

Arts & Letters home

The web pages of the print version of Arts & Letters

 

 

 

 

 

 

 

Arts & Letters: Poetry Matters

 

 

 

 

News that Matters

 

 

 

 

 

 

Many poets and writers, students, and teachers of creative writing attend the annual conference of the Association of Writers and Writing Programs (AWP) for talks, readings, and other events relating to contemporary poetry and poetics. AWP has been an important organization to me for 20 years, offering a community of writers and readers who care about contemporary poetry and literature. —ML

 

 

At the 2007 AWP Conference in Atlanta

 

Links to important organizations devoted to Poetry Matters

 

The Writer’s Chronicle

AWP’s publication features articles, interviews, and news relating to contemporary literature. See also AWP’s home page.

 

Academy of American Poets

The Academy web site offers information about poets, links to interviews, poems, and other features (both print and audio files), news relating to poetry, and other information.

 

Poetry Society of America

Founded in 1910, one of the nation’s oldest organizations devoted to poetry. Their web site provides links to many useful poetry resources as well as PSA news.

 

Poets & Writers Magazine

News, interviews, articles, and more, including information about literary contests and submitting work to literary journals.

 

Poetry Magazine

The nation’s oldest journal devoted to poetry (founded in 1912), it is now published by The Poetry Foundation, one of the largest literary foundations in the world.

 

Poetry Daily

This web site features a new poem each day, as well as other interviews and articles, and includes archives of past poems and poets featured.

 

Ploughshares

There are many excellent literary journals publishing fine work, but Ploughshares offers an outstanding archive of contributors and their work on its web site.

 

 

Why these links?

This list is not meant to be exhaustive. There are so many sites on the Internet devoted to poetry (many of them that are not really informed or helpful), so I offer this list of sites to help younger or less experienced readers and writers locate sites that can help them find important information. These sites also provide links to other useful, credible web sites relating to poetry and contemporary literature. I may from time to time add to these permanent links, but mainly I will limit new links to the updated “News that Matters” page.

 

Use “Reader Response” if you know of a link to a web site that might relate to features published on this web site, and I will consider adding the link to the “News that Matters” page (if your response is not published with link included). Please understand that it’s not possible to include every link to “News that Matters” we might receive. But we will consider everything sent to “Poetry Matters”!

 

 

 

 

 

Who Keeps Killing Poetry?

 

Recently, the President of the Poetry Foundation, John Barr, wrote an article that criticized contemporary poets, poetry, and MFA programs. Not surprisingly, Barr cited Dana Gioia’s “Can Poetry Matter?” essay, making many of the same claims that Gioia did. In the December 2006 Writer’s Chronicle, editor D.W. Fenza (who is also the Executive Director of AWP), wrote a response to Barr, “Who Keeps Killing Poetry,” arguing that critics have long complained about the “decline” in poetry (and the rise of MFA programs), often with little real cause, except their own assumptions about what poetry should be, who should write poetry, and which poets should matter.

 

If you read my essay in “Notes from Milledgeville,” you can figure out where I stand in this debate. But read for yourself John Barr’s article and David Fenza’s deliberate response.

 

 

 

 

The News Online

 

Philanthropist Ruth Lilly’s $200 million gift to Poetry in 2002 led to the creation of the Poetry Foundation in 2003 as well as an ongoing and controversial response to the effect that Lilly’s gift has had. In brief: After Lilly’s gift, the editor of Poetry for 20 years, Joseph Parisi, hired Christian Wiman to be the magazine’s new editor while Parisi would head the new foundation. However, after a few months, Parisi resigned, or was relieved, depending on whom you talk to, and the Poetry Foundation inevitably named former Wall Street executive John Barr as President.

 

An interesting New Yorker account of this story (Feb 19, 2007) ,The Moneyed Muse” by Dana Goodyear, appears online. The article profiles the three principle players—Barr, Ruth Lilly, and Christian Wiman—while reporting on changes at Poetry magazine, on the ways that the Foundation is seeking to promote poetry, and on various critical responses to both.

 

I don’t agree with all the changes at Poetry, but I do know Chris Wiman, and even if I don’t always agree with him, I believe that he is a sincere and knowledgeable editor, critic, and poet. As for John Barr and the Poetry Foundation, I disagree with the ways they wish to “change” and promote poetry (see David Fenza’s response to John Barr referred to earlier for a position I do agree with).

 

Dana Goodyear’s article included this insightful criticism from poet and translator Richard Howard, responding to the Poetry Foundation’s efforts: “They want to change poetry—poetry changes itself. You can’t make poetry itself do something.”

 

Amen.   ML

 

News from Where I Live

 

In 1995, I sold my house and most of my possessions so I’d have time and money to live for a season (just after Labor Day to just before Christmas) in Costa Rica with a woman I loved (Libby and I were married soon after we returned, a year before we moved to Georgia in 1997). You can read an essay of mine about living in Costa Rica called “Strange Waters” online.

 

I read a lot of arguments against the “business” of poetry (MFA programs, foundations and associations, prizes) as well as for a more formal approach to both the practice and promotion of poetry. But I believe that poets can, if they are devoted to poetry, live a deliberate life that includes walking in the forest or on the beach, teaching in universities or workshops, riding buses and trains in foreign countries, winning awards and giving readings, learning to speak a new language, writing a grant to fund a reading series, building a fire, building a portfolio for one’s retirement.... But I also believe poetry is an art that requires careful and prolonged study and practice, whether in the company of mentors and other writers in a university, or on one’s own, or (more often) both.

 

Somewhere between Thoreau’s “Where I Lived, and What I Lived For” and Donald Hall’s “Poetry and Ambition” there is a world in which I live and work. I am devoted to poetry, my students, my wife, my community. The “News from Where I Live” might be found in The New Yorker or the Milledgeville Union-Recorder, in Poetry Magazine or Georgia College’s “Early College” seventh-graders’ poems, in the rain forests of Costa Rica or the woods behind my house. It’s a big world that grows smaller every day.

ML

 

Return to Arts & Letters: Poetry Matters

 

Go to Reader Response to make a comment