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Small Couplets on One Passion of the Dead

 

By: Young Smith

 

Late at night the dead come

to admire our bodies.

 

With slow fingers they discover

each blade of our ribs,

 

each seam of our tendons,

each groove of our spines.

 

Kneeling for hours beside

our beds, they touch our

 

moles and our birthmarks,

our wrinkles, our scars.

 

They trace the curves of our noses.

They count the fillings in our teeth.

 

The dead are careful not to wake us.

They have no desire for conversation.

 

They are slightly ashamed

to be in our rooms at all.

 

Yet they cannot turn away.

Our beauty confounds them

 

as they watch the blood move

the veins on the backs of our hands.

 

 

My Achilles

                

I think of you always

there in the court

of Lycomedes,

 

where your mother—

sorrowing nymph—

hoped to hide you

 

as a girl from the fate

of heroes; not yet

the key to the poet’s

 

vaulting design, still

a thing of jewels

and gossip, a gleaming

 

ornament, like the rest—

one of those

drowsy virgins

 

scattered on the rugs,

spinning flax,

plaiting garlands,

 

dressing the urns

with sprigs of crocus

and vetch.

               

Soon enough, of course,

the plot—the noise of bronze,

the steam of corpse fires…

 

And yet always

in my version

of events,

 

you never leave

Scyros; Odysseus

never solves

 

your mother’s ruse,

so that even now

you are there,

 

combing wool

on the floor

among that white

 

company of maidens—

your hair damp

with rosewater,

 

your eyes veiled

with muslin,

your slender arms

 

bright with the oil
of bergamot

and myrrh—

 

forever something

whispered, something

lyric and small—

 

forever one

of those sashed

and lovely women

 

sighing on the rugs

whose stories were never

cruel enough to tell.

 

 

 

Arts & Letters

Campus Box 89

Georgia College & State University

Milledgeville, GA  31061

(478) 445-1289

al@gcsu.edu

 

 

Arts & Letters accepts submissions from September 1 to March 1 (postmark deadlines).  For complete information, see submission guidelines.